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Lecha Dodi

Come My Beloved welcomes Shabbat with new music and an English adaptation of the Hebrew hymn.

At a glance

Hebrew text
Solomon ha-Levi Alkabetz
Period
Mid-sixteenth century
New music and English words
Walter J. Kin

Story

Lecha Dodi is a Hebrew hymn welcoming Shabbat. Solomon ha-Levi Alkabetz wrote it around the middle of the sixteenth century; his name appears as an acrostic in eight of its nine stanzas. Jewish Encyclopedia also notes its language of restoration drawn from Isaiah.

Its history includes many musical settings, rather than one tune composed together with the words.

Come My Beloved gives this hymn new music and English words by Walter J. Kin, who also arranged and produced the recording. The performance is credited to RIGLI and the Riglis Band. It is an adaptation from the Hebrew, not a claim to reproduce Alkabetz’s complete poem or an early melody.

The connection survives in its welcome to Shabbat, its movement toward renewal and its invitation to sing together.

Meaning

The opening keeps the bride at the center but surrounds her with the language of a present-day group. Raised hands and people standing side by side make the welcome feel participatory. The word crew is Kin’s contemporary choice: it gives the singers a shared identity without requiring them to begin with the vocabulary of a sixteenth-century poem.

The next scenes retain recognizable source images: guarding and remembering, a city rising from dust, beauty replacing humiliation, and the bride entering in peace. Kin condenses these into a shorter English sequence. The new lines about hope being awake and going home turn restoration into direct speech that a group can sing.

Readers can compare these choices with the linked Hebrew text and translation.

Versions

The final welcome makes rest something to receive together. Shabbat becomes the queen of the week, with gentle light and an embrace, before the refrain returns. Listen for how the repeated invitation holds the changing images together. This page plays the English adaptation.

A Hebrew performance would illustrate another setting of the source hymn; a Russian article is an explanation, not evidence of a Russian sung version.

Words

Come my beloved we greet the bride We're the crew we stand side by side Hands up hearts up welcome the light We greet Shabbat we welcome the bride Guard and remember spoken as one We're one people and God is one
For praise and beauty for love and song We turn together where we belong Come my beloved we greet the bride We're the crew we stand side by side
Hands up hearts up welcome the light We greet Shabbat we welcome the bride Wake from the dust city rise and shine Dress in your beauty the crown is fine Lift up your head we're not alone Hope is awake and we're going home
Come my beloved we greet the bride We're the crew we stand side by side Hands up hearts up welcome the light We greet Shabbat we welcome the bride
Do not be ashamed do not be afraid We were made small but we'll be remade Right and left open wide your way Kindness and joy will lead today Come in with peace O Shabbat bride Enter with joy and stay inside
Queen of our week in gentle light Bless us with rest and hold us tight Come my beloved we greet the bride It's Shabbat now we welcome the bride

Originals & translations

Teen Version · refrain

Come my beloved we greet the bride -
We're the crew, we stand side by side.
Hands up, hearts up, welcome the light -
We greet Shabbat, we welcome the bride.

Full Teen Version lyrics on the Listen here.

Credits & resources

🎤 Performance: Riglis Band🎼
Music: Walter J. Kin (original composition)✍️ Source text:
Rabbi Shlomo Halevi Alkabetz of Safed (c. 1540, Hebrew)📜 English lyrics: Walter J. Kin (adapted from the original Hebrew)
📀 Album: Jewish the Musical (We Belong Together)Released under «Jewish The Musical»® (USPTO registered trademark)