Four questions behind every strong entry.
Where and when did the song begin? Who wrote, adapted and performed it? What changed as it crossed languages and borders? Where can a listener hear and use it today?
Trace where a song began, who wrote and carried it, how each adaptation changed its path, and how listeners remember it now. In English and Russian.
Where and when did the song begin? Who wrote, adapted and performed it? What changed as it crossed languages and borders? Where can a listener hear and use it today?
The collection already holds dozens of paths through Yiddish songs, Hebrew anthems, holiday music, remembrance works and new English releases. Each entry grows as better sources, corrections and listener memories arrive.
Start anywhere: browse the full song catalog, open the sing-along room, print the lyric sheets, or read in Russian in the Russian wing.
Follow celebration, riddles, remembrance and family songs to see how different histories require different kinds of care.
Songs of the Holocaust / Песни Катастрофы. A chapter of five songs from the ghettos of Vilna and Lodz and from Auschwitz, each with its story and sources, the Russian words of Olga Anikina, a line by line English rendering, and a short guide for parents and teachers:
Songs in Russian, translated line by line. The most loved Russian versions, each with its story, why it matters in English, and the Russian words rendered line by line into English:
The goal is a dependable home where a listener can move from one recording to its source, credits, translations and cultural context without losing the human story.
Each finished English release adds a new permanent entry. Each correction makes the archive more trustworthy. Each classroom or family use gives the song another living chapter.
Professors and researchers of Jewish music, writers, archivists, museums and cultural organizations are invited to contribute sources, corrections, recordings and the stories their collections hold.
Serious contributions are credited by name, and institutional partners are welcome to present their collections to a worldwide audience through the songs.
Write to us: doublesign28@gmail.com. Tell us who you are and which songs or stories you want to bring. We answer personally.
HavaNagila.org tells the personal journey through these songs. JewishSong.org keeps the growing public record behind it.
The encyclopedia
Trace where a song began, who wrote and carried it, how each adaptation changed its path, and how listeners remember it now. In English and Russian.
Where and when did the song begin? Who wrote, adapted and performed it? What changed as it crossed languages and borders? Where can a listener hear and use it today?
The collection already holds dozens of paths through Yiddish songs, Hebrew anthems, holiday music, remembrance works and new English releases. Each entry grows as better sources, corrections and listener memories arrive.
Start anywhere: browse the , open the , print the , or read in Russian in the Russian wing.
Follow celebration, riddles, remembrance and family songs to see how different histories require different kinds of care.
Songs of the Holocaust / Песни Катастрофы. A chapter of five songs from the ghettos of Vilna and Lodz and from Auschwitz, each with its story and sources, the Russian words of Olga Anikina, a line by line English rendering, and a short guide for parents and teachers:
Songs in Russian, translated line by line. The most loved Russian versions, each with its story, why it matters in English, and the Russian words rendered line by line into English:
The goal is a dependable home where a listener can move from one recording to its source, credits, translations and cultural context without losing the human story.
Each finished English release adds a new permanent entry. Each correction makes the archive more trustworthy. Each classroom or family use gives the song another living chapter.
Professors and researchers of Jewish music, writers, archivists, museums and cultural organizations are invited to contribute sources, corrections, recordings and the stories their collections hold.
Serious contributions are credited by name, and institutional partners are welcome to present their collections to a worldwide audience through the songs.
Write to us: doublesign28@gmail.com. Tell us who you are and which songs or stories you want to bring. We answer personally.
HavaNagila.org tells the personal journey through these songs. JewishSong.org keeps the growing public record behind it.