At a glance
- Hebrew text
- Solomon ha-Levi Alkabetz
- Period
- Mid-sixteenth century
- New music and English words
- Walter J. Kin
Sacred · English Setting
An English setting of «Lecha Dodi» - the 16th-century kabbalistic hymn that welcomes Shabbat as a bride. Original music and English lyrics by Walter J. Kin. Performed by Riglis Band.
About this version
«Lecha Dodi» - "Come, my beloved" - is one of the most beloved hymns in Jewish liturgy. It is sung in synagogues around the world every Friday evening as part of Kabbalat Shabbat, the welcoming of the Sabbath as a bride. The original Hebrew text was composed in the 1540s by Rabbi Shlomo Halevi Alkabetz, a kabbalist of Safed, and has been set to countless melodies over the centuries.
This recording is a contemporary setting - original music and an English adaptation of the Hebrew text - meant to give a new generation of listeners direct access to what Lecha Dodi has always been about: welcoming the Sabbath as something beautiful, gathering shoulder to shoulder, and standing side by side.
The album «Jewish the Musical (We Belong Together)» is written for children ages 7-12. The English text is intentionally simplified, so that kids in Hebrew schools, family Shabbat tables, and JCC classrooms can actually sing along - words that, in their original Aramaic and ancient Hebrew, would otherwise stay out of reach for the youngest generation.
The intent is reverent and community-minded: a song you can carry into a JCC, a classroom, or a Shabbat table without giving up either the meaning of the original or the energy of singing it together today.
📜 Lyrics (English)
🕯️ History & context
Rabbi Shlomo Halevi Alkabetz (c. 1500-1576) was a kabbalist and poet living in Safed (Tzfat), the mountain town in the Galilee that had become the center of Jewish mystical thought after the expulsion from Spain in 1492. Together with Rabbi Yosef Karo, Rabbi Moshe Cordovero, and later Rabbi Isaac Luria (the Ari), the Safed circle reshaped Jewish prayer and mysticism for the next 500 years.
«Lecha Dodi» - literally "Come, my beloved" - was Alkabetz's contribution. He took an image already present in the Talmud (the Sabbath as a bride to be welcomed) and built it into a nine-stanza Hebrew poem whose first letters spell his name as an acrostic: שלמה הלוי - Shlomo HaLevi.
The Safed kabbalists used to walk out into the fields at sunset on Friday to greet the Sabbath. Alkabetz's poem became the script for that walk - and within decades, every synagogue in the Jewish world had taken it inside, into the Friday-evening service. Today, you can walk into any synagogue on Friday night anywhere on earth, and you will hear it.
Why an English setting
The Hebrew original is breathtaking - but if you don't read Hebrew, you can spend years standing in a Friday-evening service without ever quite hearing what Lecha Dodi is actually saying. The melody carries you. The community carries you. But the words stay outside.
This English setting is an attempt to let those words come in. Not a literal translation - a singable adaptation, faithful to the spirit, written to be sung together. The original Hebrew is still there, and still primary. This is the door for the next room.
For younger voices
Same Friday night, fresher arrangement. The Teen Version reworks the music for a younger ensemble and lightens a few lines - written for kids and teens in Hebrew schools, youth choirs, and family-Shabbat sing-alongs. The bones of the prayer are the same. The voice is theirs.
Part of the Tradition Reimagined playlist (RIGLI / @RigliMusic).
Teen Version · refrain
Come my beloved we greet the bride -
We're the crew, we stand side by side.
Hands up, hearts up, welcome the light -
We greet Shabbat, we welcome the bride.
Full Teen Version lyrics on the YouTube page.
Listen to the full album
Jewish The Musical (We Belong Together) - Open on Spotify ↗
Come My Beloved welcomes Shabbat with new music and an English adaptation of the Hebrew hymn.
Lecha Dodi is a Hebrew hymn welcoming Shabbat. Solomon ha-Levi Alkabetz wrote it around the middle of the sixteenth century; his name appears as an acrostic in eight of its nine stanzas. Jewish Encyclopedia also notes its language of restoration drawn from Isaiah.
Its history includes many musical settings, rather than one tune composed together with the words.
Come My Beloved gives this hymn new music and English words by Walter J. Kin, who also arranged and produced the recording. The performance is credited to RIGLI and the Riglis Band. It is an adaptation from the Hebrew, not a claim to reproduce Alkabetz’s complete poem or an early melody.
The connection survives in its welcome to Shabbat, its movement toward renewal and its invitation to sing together.
The opening keeps the bride at the center but surrounds her with the language of a present-day group. Raised hands and people standing side by side make the welcome feel participatory. The word crew is Kin’s contemporary choice: it gives the singers a shared identity without requiring them to begin with the vocabulary of a sixteenth-century poem.
The next scenes retain recognizable source images: guarding and remembering, a city rising from dust, beauty replacing humiliation, and the bride entering in peace. Kin condenses these into a shorter English sequence. The new lines about hope being awake and going home turn restoration into direct speech that a group can sing.
Readers can compare these choices with the linked Hebrew text and translation.
The final welcome makes rest something to receive together. Shabbat becomes the queen of the week, with gentle light and an embrace, before the refrain returns. Listen for how the repeated invitation holds the changing images together. This page plays the English adaptation.
A Hebrew performance would illustrate another setting of the source hymn; a Russian article is an explanation, not evidence of a Russian sung version.
Teen Version · refrain
Come my beloved we greet the bride -
We're the crew, we stand side by side.
Hands up, hearts up, welcome the light -
We greet Shabbat, we welcome the bride.
Full Teen Version lyrics on the Listen here.