Come On Brother Time to Rise

Walter J. Kin is credited with the music, words and production; Riglis Band performs the recording. The author's description explicitly identifies a new Jewish song inspired by the biblical Exodus. It is not presented as an ancient song preserved from that event or as a

translation of a biblical passage. The scene is a contemporary songwriter's imaginative response to the story.

The first verse places its speakers at work making bricks for Pharaoh. The refrain turns collective suffering into direct address: one person calls to a brother, another offers a hand to a sister. The important movement is from people enduring separately toward people preparing

to act together.

The instruction to gather what is needed and leave before dawn gives the imagined scene a threshold. The journey has not yet unfolded. The song concentrates on finding courage and companionship before departure, rather than narrating every episode of Exodus. References to a

promised land belong to that biblical dramatic setting; this article does not treat the lyric as a detailed account of contemporary borders.

The production description names Jewish chanson, folk-pop, doo-wop, klezmer clarinet and gospel harmonies, with a contralto lead and a predominantly female choir. Those are the author's stated musical ingredients. Listen to the response between lead and ensemble: the invitation

to rise can become communal in sound as well as in words. The English recording is the verified version here; a prose explanation in Russian should not be confused with an existing Russian sung adaptation.

Listen here

Credits, scene and arrangement are drawn from the author-published description checked on 6 September 2026. Interpretations of the lyric are editorial readings.